“Maria Callas was someone that as she was singing, she was dying every time. Life was taken from her while she sang.” The Chilean writer-director Pablo Larrain has a fascination with mortality. The manifestations of it course throughout his work. In many respects, it inspires his art.Read More
It seems an unlikely combination: Walt Disney Pictures’ lucrative franchise The Lion King in the directorial hands of Barry Jenkins, the auteur of several praiseworthy indie productions, including the Academy Award-winning Best Picture Moonlight (2016). The result is technically accomplished, but emotionally frustrating.Read More
Disney/Marvel Read “I don’t know anything about saving worlds, but you do.” -Deadpool addressing Wolverine The meta has overtaken the Marvel Cinematic Universe (MCU). After a six-year period marked by […]Read More
Biopics are notoriously fraught with difficulty. They have to achieve an emotional and intellectual resonance, as well as a period look and feel. The script has to reflect and enhance the inherent drama in the lives of its characters, and the main one really has to matter. In Oppenheimer, the British-American writer-director Christopher Nolan embraces the challenge of Read More
Biopics are notoriously fraught with difficulty. They have to achieve an emotional and intellectual resonance, as well as a period look and feel. The script has to reflect and enhance the inherent drama in the lives of its characters, and the main one really has to matter. In Oppenheimer, the British-American writer-director Christopher Nolan embraces the challenge of Read More
You might not have imagined a connection between the new Barbie and the acclaimed 2001: A Space Odyssey. True enough, Barbie the toy character does have pilot and astronaut on her résumé. In this case, however, she makes her big screen appearance to the accompaniment of Also sprach Zarathustra by Richard Strauss, enhanced by the droll narration of Dame Helen Mirren. Read More
When Benji Dunn (Simon Pegg) laments to Ethan Hunt (Tom Cruise) that “you’re playing four-sided chess with an algorithm,” his character couldn’t possibly have appreciated the irony of his words. The seventh and latest installment in the Mission: Impossible franchise has burst onto theatrical screens just as the actor-members of SAG-AFTRA have gone on strike. The Read More
Welcome back to the Multiverse. If the most recent Academy Award winner for Best Picture, Everything Everywhere All at Once, stoked your interest in compelling alternate realities, then the latest installment in the Marvel Cinematic Universe merits your attention, too. This movie has intelligence, humor, relatable themes and dazzlingly crafted animation.Read More
Joseph Bologne lived a fascinating–indeed, important–life. The French aristocracy of the late eighteenth century welcomed, then disowned, him.Read More
To borrow from basketball terminology, this is a movie with slam dunk potential that commits too many turnovers. It has good intentions, but indifferent execution.Read More
Alithea Binnie, a scholar of mythology, believes in credibility. Then she encounters The Djinn, who spins fanciful and unreliable tales of lost love and palace intrigue. Her independence and his freedom become the themes of the fantasy-romance, Three Thousand Years of Longing.Read More
When evaluating a documentary, you might ask several questions. Does the film have a clear protagonist, or several? Does it have a compelling story and message? Does it have substance and depth? Has the director organized the material in a coherent way? In the case of Alex Pritz’s new movie, The Territory, the answers are a resounding “Yes.”Read More
In a year dominated by cinematic tentpoles, sequels, blockbusters and superheroes, along comes a sweet, unabashedly romantic fairy tale. It’s not loud or brash or cynical. It’s just charming.Read More
Eight twenty-somethings gather at a mansion for a “hurricane party.” After some awkward introductions, they begin indulging in drugs and alcohol. With inhibitions fading and the storm now raging, they decide to play “Body Body,” the murder-in-the-dark game. Only in this case, an actual body count ensues. There you have the premise for the new horror-comedy film from Dutch Read More
Baz Luhrmann has always had a flair for the operatic, sometimes literally so. The Australian writer-director-designer loves to tell stories on a grand scale. The bigger the emotions, the flashier the production values. Romeo and Juliet, Toulouse-Lautrec and the Great Gatsby have all made appearances in his films. Now his spotlight turns to the King of Rock ‘n’ Roll, Elvis Read More
According to the real-life paleontologists, dinosaurs disappeared from Earth 66 million years ago. To judge by the sixth entry in the Jurassic Park franchise, its fresh story ideas have been exhausted as well. The original wonder has waned.Read More
For the longest time, it just wouldn’t fly. A sequel to Top Gun {1986), one of the highest-grossing movies of its decade. The movie that made the charismatic Tom Cruise box office gold. Even when the sequel finally came to fruition, the pandemic delayed its release by two years.Read More
The MCU (Marvel Cinematic Universe) made its debut fourteen years ago this month, as a glib and charismatic Robert Downey, Jr. established his superhero credentials as Iron Man. That universe has expanded steadily ever since, although in ways that could easily elude the geometrically challenged.Read More
If you’re a devoted fan of Downton Abbey, the global television phenomenon now back on the big screen, that line certainly rings true. Creator and writer Julian Fellowes, director Simon Curtis (the real-life husband of Elizabeth McGovern/Cora Grantham), a superb ensemble cast and composer John Lunn have crafted another period piece drama brimming with intelligence, Read More
Sometimes a filmmaker tells a story so dense, so deliberately ambiguous, so deeply rooted in symbolic imagery that you realize you’re either intrigued by and invested in the narrative or you’re utterly defeated by the process. The memory of Men, a hallucinatory study in toxic masculinity, will linger long after the closing credits. Read More
Robert Eggers has only made three feature-length films so far. Even as a modest body of work, they reveal a wealth of obsession and talent.Read More
Let’s start with the paradoxes. The latest film from Oscar- and Emmy-winning writer-director Aaron Sorkin boasts several. Its two protagonists don’t look all that much like the historical characters they portray (although Nicole Kidman with red hair comes pretty close). The female lead, a comedy legend, has very few funny lines in the story. And, although the movie has the Read More
Steven Spielberg’s latest picture arrives in theatres with not only the weight of history and expectation, but also the bittersweet memories of his father and the work’s lyricist. Arnold Spielberg, the film’s dedicatee, died in August, 2020, and Stephen Sondheim passed away last month.Read More
Twenty years ago, Will Smith accepted the challenge of portraying a living legend, and arguably reached the zenith of his acting career, in Ali. In his latest film, he plays the obsessive, controlling father of sibling tennis phenoms in King Richard. It marks another high point for him. Read More
The writer, director and graphic artist Mike Mills loves to explore family. His own family, to be precise. In Beginners (2010), for which the late Christopher Plummer won an Academy Award, Mills dramatizes his elderly father’s gay relationship with a much younger man. In 20th Century Women (2016), for which Mills himself earned an Oscar nomination for Original Screenplay, Read More
“The Irish are built to leave,” as one character ruefully observes in Sir Kenneth Branagh’s new film, his twenty-second behind the camera. Indeed, many have departed the home soil, but their abiding attachment to it has prompted a wealth of insight and inspiration. You can add Belfast to the mix.Read More
The risk of the project was destined to match the scale of journalist-turned-author Frank Herbert's Dune. Denis Villeneuve's conception has arrived in theatres (and HBO Max), and its sequel has already been greenlighted by Warner Bros. After two viewings, his intentions have become more clear and convincing.Read More
“I’ve got this kind of gift. I can see people, places. Things others can’t.” Eloise (a wide-eyed Thomasin McKenzie) can, indeed, have experiences denied to others, especially when it comes to swinging London of the 1960s, her obsession. In Edgar Wright’s psychological thriller, her gift becomes a nightmare.Read More
Adam Driver, left, and Matt Damon in Ridley Scott’s “The Last Duel.” (Patrick Redmond/20th Century Studios) “If we don’t trust each other, this earth might as well be hell.” The […]Read More
You could say that the gifted actor-writer-director Justin Chon’s new film, Blue Bayou, began in Vancouver, Washington. Five years ago, Adam Crapser, a native of South Korea given up for […]Read More
A movie review of The Many Saints of Newark.Read More
Sometimes, movie plots don't have to fully explain themselves, or play out in strictly linear fashion, to succeed. Sometimes, a film's intelligence and atmosphere achieve the desired effect. Welcome to The Night House.Read More
Reminiscence indulges in the well-established cinematic tradition of playing with our perception of time. The French pioneer Georges Méliès did it successfully at the turn of the twentieth century, and Christopher Nolan is doing it in our time. Read More
Trained assassins. Sins of the past and present. Double crosses. Exotic locales. Breezy banter. Name actors. Gaping plot holes. The Protégé has it all for you. Read More
NWPB's Steve Reeder review's Disney's latest, long awaited movie, Jungle Cruise. Read More