When evaluating a documentary, you might ask several questions. Does the film have a clear protagonist, or several? Does it have a compelling story and message? Does it have substance and depth? Has the director organized the material in a coherent way? In the case of Alex Pritz’s new movie, The Territory, the answers are a resounding “Yes.”

In a year dominated by cinematic tentpoles, sequels, blockbusters and superheroes, along comes a sweet, unabashedly romantic fairy tale. It’s not loud or brash or cynical. It’s just charming.

Eight twenty-somethings gather at a mansion for a “hurricane party.” After some awkward introductions, they begin indulging in drugs and alcohol. With inhibitions fading and the storm now raging, they decide to play “Body Body,” the murder-in-the-dark game. Only in this case, an actual body count ensues. There you have the premise for the new horror-comedy film from Dutch actor-turned-director Halina Reijn (Black Book, Instinct).